A Bit of Old Wood

As I've mentioned before, there are times when I grow concerned that Peter and I spend too much time surrounded by the arcane and subtle lures of religion. We had no sooner gained entry to the graceful little church of St Mary's, Hill Croome, than Peter was eyeing up the centuries-old Jacobean pulpit. I could sense his eagerness to get up there and pontificate. And why not; he's a fine speaker.

We needed an excuse and one was at hand. Earlier in the day I'd acquired, second-hand, another Nikon flashgun. I needed to try it out with the original and the ideal combo would be in a set-up sometimes called key and counter-key. On Peter's right was a small window emitting a feeble northern light. I helped it, not with a nourishing mug of chicken soup, but by bouncing one of my flashes off of the cream coloured surround. Over his left shoulder I fired off the second flash, direct and unmediated by any flaking paint finish. The result; a classic combination of a warm main light (the key, soft and bounced) and a hard, cold kick from behind, diagonally opposite (the counter-key or kicker). The candles were lit for effect; in reality the face is over lit for candle light. What surprised us both was how much light came back off the old wood, avoiding the need to treat it separately - normally dark wood soaks up illumination as eagerly as a cat licks up cream (or is it Guinness?).

Anyway, sorry about the technical rabbiting - just fancied doing it for a change rather than talking about the weather, or the state of British roads, or whether we will ever find out where it is in the universe that ball-point pens disappear to (along with small screwdrivers, lens caps and, in my case, shutter releases).