Later that day, and keeping with the shooting into the sun and flagging it off the camera theme, my young friend does something arty with the rather unusual sundial in the churchyard at Malvern Priory.

The difference between my attempts at this sort of shot and Peter's is that his knees still work whereas mine feel decidedly flaky rising from this sort of position. That's the reason I've taken to attaching my camera to a monopod and using it upside down, triggering the shutter with a cable release. It's a bit like using a metal detector.